1560-1609 Italian Annibale Carracci Locations Painter, draughtsman and printmaker, brother of (2) Agostino Carracci. Since his lifetime, he has been considered one of the greatest Italian painters of his age. His masterpiece, the ceiling (1597-1601) of the Galleria Farnese, Rome, merges a vibrant naturalism with the formal language of classicism in a grand and monumental style. Annibale was also instrumental in evolving the ideal, classical landscape and is generally credited with the invention of CARICATURE.  Related Paintings of Annibale Carracci :. | La Nativite | The Butchers Shop | Escape to Egypt | The Holy Women at the Sepulchre | Assumption of the Virgin Mary |
Related Artists:
Johannes van Wijckersloot
Johan Hendriksz Van Wijckersloot (1557- 1602) Born in Utrecht, Utrecht, Netherlands on 20 Oct 1557 to Hendrick Roelofsz Van Wijckersloot and Antonia Gosina Van Benthem. He passed away on 27 Jul 1602 in Utrecht, Utrecht, Netherlands
Johann Nepomuk Rauch
(1804 Vienna - 1847 Rome) was a very significant Austrian Biedermeier painter of the 1st half of the 19th century.
Raffaello
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.